Rabu, 07 Juli 2010

[D863.Ebook] Ebook Download A Million Miles in a Thousand Years: How I Learned to Live a Better Story, by Donald Miller

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A Million Miles in a Thousand Years: How I Learned to Live a Better Story, by Donald Miller

After writing a successful memoir, Donald Miller's life stalled. During what should have been the height of his success, he found himself unwilling to get out of bed, avoiding responsibility, even questioning the meaning of life. But when two movie producers proposed turning his memoir into a movie, he found himself launched into a new story filled with risk, possibility, beauty, and meaning.

A Million Miles in a Thousand Years chronicles Miller's rare opportunity to edit his life into a great story, to reinvent himself so nobody shrugs their shoulders when the credits roll. Through heart-wrenching honesty and hilarious self-inspection, Donald Miller takes readers through the life that emerges when it turns from boring reality into meaningful narrative.

Miller goes from sleeping all day to riding his bike across America, from living in romantic daydreams to fearful encounters with love, from wasting his money to founding a nonprofit with a passionate cause. Guided by a host of outlandish but very real characters, Miller shows us how to get a second chance at life the first time around. A Million Miles in a Thousand Years is a rare celebration of the beauty of life.

  • Sales Rank: #7777 in Books
  • Brand: Thomas Nelson
  • Published on: 2011-03-07
  • Released on: 2011-03-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.39" h x .75" w x 5.47" l, .60 pounds
  • Binding: Paperback
  • 257 pages
Features
  • Great product!

From Publishers Weekly
Miller, the accidental memoirist who struck gold with the likable ramble Blue Like Jazz, writes about the challenges inherent in getting unstuck creatively and spiritually. After Jazz sold more than a million copies but his other books didn't follow suit, he had a classic case of writer's block. Two movie producers contacted him about creating a film out of his life, but Miller's initial enthusiasm was dampened when they concluded that his real life needed doctoring lest it be too directionless for the screen. Real stories, he learned, require characters who suffer and overcome. In desultory fashion, Miller sets out to change his own life—to be the kind of guy who seeks out his father, chases the girl and undertakes a quest. Along the way, he comes to understand God as a master storyteller who doesn't quite control where his characters are going. An unexpected bonus of this book is Miller's insights into the writing process. Readers who loved Blue Like Jazz will find here a somewhat more mature Miller, still funny as hell but more concerned about making a difference in the world than in merely commenting on it. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Donald Miller is the author of several books, including the bestsellers Blue Like Jazz and A Million Miles in a Thousand Years. He helps leaders grow their businesses at www.storybrand.com. He lives in Nashville, Tennessee, with his wife, Betsy, and their chocolate lab, Lucy.

 

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143 of 150 people found the following review helpful.
I Love the Style, Unsure of the Content...
By Pamela S. Hogeweide
Ok, I'm a word snob. I write a lot and read even more. I know that Donald Miller is a good writer. A d-mn good writer. And there were many spots of superb prose on enough pages that kept me on the lookout for the next beauty of a passage. Like this one, for example, on page 155:

"And once you live a good story, you get a taste for a kind of meaning in life, and you can't go back to being normal; you can't go back to meaningless scenes stitched together by the forgettable thread of wasted time. The more practice stories I lived, the more I wanted an epic to climb inside of and see through till its end."

That is great writing. Miller is totally on his A-game with his craft in AMMiaTY.

Yet the whole time I was reading, there was a tension in my mind.I could not completely enter the dreamland that a book can take you to. I was distracted by a kind of angsty resistance to my perceived takeaway message of the content. The above passage is an example of what I mean.

Normal and ordinary living seem devalued in the premise of the Story about story. Epic living, like hiking the Inca Trail, biking across America, starting a non-profit....all great endeavors, and God knows we can all use a bit of epic goodness in our lives. Yet I can't help but wonder about celebrating normal and steady.

Most of us most of the time must make the best of the story we find ourselves in and make peace with the lack of epic drama. Most of us work at jobs to pay our rent and provide for the people we care for. We are kind to our neighbors and give at the office. This is our epic: that we show up everyday.

My tension with the author's premise about changing your story if you are living a boring life is perhaps just my own effed up issue. But art is in the eye of the beholder and for me it was almost a message of shame. "Live an interesting life or else all is meaningless."

I don't know what page it's on, but there was even a passage about if the people all around you are living boring lives then you are, too. Sheesh. That was harsh.

Let me end my review on a positive note. Most books I can't tell you a favorite passage. But this book I can actually tell you a favorite page: 76. The honesty and self-discovery coupled with descriptive, magical writing of this page was mesmerizing. If you only read one page in this book, make it 76.

I give this book four stars. Great style; he is undoubtedly a Writer and I hope he'll someday write a book on the craft of writing, like in about ten years when he's gone further and deeper and has some distance from the cockiness of youth. (Not a judgment. We're all like that in youth!) I was not sold on the premise of the content. But that's probably my own weirdness. Maybe I need a trip to the Inca Trail to sort my story out.

**note: I catch typos and errors in books all the time, but this one had some glaring mess-ups including misspellings and punctuation issues, like missing quotation marks, etc... I don't think this reflects on Miller's writing at all, but kinda wondered where was the copy and line editors on this one? Most glaring is top paragraph page 172. I live in Portland so it was super obvious to me that not only was the Willamette river misspelled {twice!}, but so was Fremont Bridge....I'm such a spelling geek...but that's my story. Epic. I know.

130 of 139 people found the following review helpful.
A Story About a Story About a Story
By Crestviewer
"...to know there is a better story for your life and to choose something other is like choosing to die."

This is a great book. A book that's fun to read and pulled me in and whose pages flew by. A book that cracked me up and brought tears to my eyes. A book that challenged and inspired. It sounds overly dramatic and just a tad hyperbolic, but I'll look at life (and hopefully live life) a bit differently as a result of this read.

In the choppy/direct/engaging writing style of his best-selling "Blue Like Jazz" (but with some additional maturity and depth), Miller describes the experience of looking at his life as he works with others in developing a movie (loosely) based on his life. The result is a bit distressing for him (as his life is a bit boring), but the lessons from the screen-writing experience have some wonderful applications in real life (A Character is What He Does, A Good Character Listens to His Writer, The Importance of an Inciting Incident, and others). Significant life-change takes place.

Miller teaches almost incidentally as you watch him learn and grow, and his candor about the pain and awkwardness and joy of the process is endearing and appreciated. And encouraging.

There's a lot to chew on in "A Million Miles in a Thousand Years," and I'm not quite with Miller in all of his rifts and conclusions, but I'm grateful that he shared his journey with me.

"...in living a great story, we defy a dark force propagating what I believe to be a lie, that a human life is not worth living, that the story you have living within you is not worth living."

70 of 75 people found the following review helpful.
Donald Miller is back
By Scandalous Sanity
Donald Miller was in a funk. He had written a bestseller, and was now a much sought after speaker. He was accomplished. But for some reason, all of his success didn't bring the climatic ending that he was hoping for. He felt lost. Then he received a call from two men who wanted to turn his book, Blue Like Jazz, into a movie. Miller was unsure of how to turn his book, part memoir and part collection of essays, into a movie. So the two men came to visit him, and teach him about story.

From there Miller uses the elements of story to describe how people can paint a different picture of their life. Miller realizes that the majority of his life has been spent watching stories and making them up. He decides that he will turn his life into a story worth watching, rather than spending his time making up fictional stories.

Miller once again muses on his life, faith, and the human condition, all the while telling the story of his move from writing stories to living them. When he learns that characters are their actions, he resolves to do things with more meaning. He hikes in the Andes, asks out a girl he likes, and eventually meets his father for the first time ever. The comparisons he makes between stories and real life are phenomenal. I found myself reading through certain sections over and over, trying to grasp the depth of the prose. Some of his thoughts that are complex, taking a while to jog their way through your mind; others are simple and profound in their brevity.

For those that have read Miller's previous books, a couple of things will be familiar: his dry sense of humor and superb writing are prevalent throughout the book. What is new is hope. Miller no longer writes like a person wandering through his journey in life honestly searching for answers. He now writes like a person wandering through his journey in life honestly searching for answers, full of hope that one day they will be answered.

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Senin, 05 Juli 2010

[R267.Ebook] Download Ebook Ancient Society: Researches in the Lines of Human Progress from Savagery, through Barbarism to Civilization, by Lewis Henry Morgan

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Ancient Society: Researches in the Lines of Human Progress from Savagery, through Barbarism to Civilization, by Lewis Henry Morgan

Ancient Society - Researches in the Lines of Human Progress from Savagery, through Barbarism to Civilization by Lewis Henry Morgan
Published 1877
The great antiquity of mankind upon the earth has been conclusively established. It seems singular that the proofs should have been discovered as recently as within the last thirty years, and that the present generation should be the first called upon to recognize so important a fact.

Mankind are now known to have existed in Europe in the glacial period, and even back of its commencement, with every probability of their origination in a prior geological age. They have survived many races of animals with whom they were contemporaneous, and passed through a process of development, in the several branches of the human family, as remarkable in its courses as in its progress.

Since the probable length of their career is connected with geological periods, a limited measure of time is excluded. One hundred or two hundred thousand years would be an unextravagant estimate of the period from the disappearance of the glaciers in the northern hemisphere to the present time. Whatever doubts may attend any estimate of a period, the actual duration of which is unknown, the existence of mankind extends backward immeasurably, and loses itself in a vast and profound antiquity.

This knowledge changes materially the views which have prevailed respecting the relations of savages to barbarians, and of barbarians to civilized men. It can now be asserted upon convincing evidence that savagery preceded barbarism in all the tribes of mankind, as barbarism is known to have preceded civilization. The history of the human race is one in source, one in experience, and one in progress.

It is both a natural and a proper desire to learn, if possible, how all these ages upon ages of past time have been expended by mankind; how savages, advancing by slow, almost imperceptible steps, attained the higher condition of barbarians; how barbarians, by similar progressive advancement, finally attained to civilization; and why other tribes and nations have been left behind in the race of progress—some in civilization, some in barbarism, and others in savagery. It is not too much to expect that ultimately these several questions will be answered.

Inventions and discoveries stand in serial relations along the lines of human progress, and register its successive stages; while social and civil institutions, in virtue of their connection with perpetual human wants, have been developed from a few primary germs of thought. They exhibit a similar register of progress. These institutions, inventions and discoveries have embodied and preserved the principal facts now remaining illustrative of this experience. When collated and compared they tend to show the unity of origin of mankind, the similarity of human wants in the same stage of advancement, and the uniformity of the operations of the human mind in similar conditions of society.

Throughout the latter part of the period of savagery, and the entire period of barbarism, mankind in general were organized in gentes, phratries and tribes. These organizations prevailed throughout the entire ancient world upon all the continents, and were the instrumentalities by means of which ancient society was organized and held together. Their structure, and relations as members of an organic series, and the rights, privileges and obligations of the members of the gens, and of the members of the phratry and tribe, illustrate the growth of the idea of government in the human mind. The principal institutions of mankind originated in savagery, were developed in barbarism, and are maturing in civilization.

  • Sales Rank: #1584612 in eBooks
  • Published on: 2015-08-27
  • Released on: 2015-08-27
  • Format: Kindle eBook

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Rabu, 30 Juni 2010

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Complete Pinball Book Collecting The Game and Its History Revised and Expanded 2nd Edition With Updated Price Guide, by Marco Rossignoli

  • Sales Rank: #13204715 in Books
  • Binding: Hardcover

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Selasa, 29 Juni 2010

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Champagne: A Global History (Reaktion Books - Edible), by Becky Sue Epstein

From the smash of a bottle on the side of a new ship to the pop of the cork at a New Year’s Eve party champagne signals celebration, fun, and camaraderie all over the world. Bubbly, as we affectionately call it, is a symbol of luxury and decadence and the go-to drink whenever there is an important toast. This history from Becky Sue Epstein is a celebration of the world’s most celebratory drink. Here, Epstein chronicles champagne’s story, from the world’s first sparkling wine, produced in Limoux, Languedoc, in 1531 by monks at an abbey in Saint-Hilaire to the celebrities who made champagnes famous and continue to do so today— from Dom Perignon to the widow Veuve Cliquot. Most important, Epstein fully explains the distinction between champagne and sparkling wine. In this informative chronicle, she answers whether French champagne is really better than other sparkling wines and elucidates the science behind that characteristic fizz and bubble. She takes the reader on a tour of vineyards in wine regions around the world and teaches the correct techniques for storing and serving champagne and sparkling wines. Whether you prefer magnums of Cristal or the affordable thrill of Cold Duck, Champagne is an invaluable complement to any bubbly glass and an informative, elegant gift for connoisseurs, beginners, and wine lovers of all kinds.

  • Sales Rank: #956989 in Books
  • Published on: 2011-10-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.75" h x .80" w x 4.75" l, .69 pounds
  • Binding: Hardcover
  • 136 pages

Review
“A fun, smartly written series appropriate for a popular audience that likes to eat . . . the Edible series books provide level-headed and enjoyable overviews of food culture . . . These will create a little library that any foodie will be proud to show off . . . aesthetically pleasing volumes with decent content that would make good presents.”—Winterthur Portfolio, on the Edible series

(Winterthur Portfolio)

“This short volume, wittily illustrated and beautifully designed, is a pleasure both to look at and to consume. Which, given the subject matter, seems fitting.”

(The Spectator)

“Champagne is an invaluable complement to a glass of bubbly as well as an informative, elegant gift for all wine lovers.”

(Intermezzo)

“An entertaining look at the world’s most celebratory beverage. Pop a cork and enjoy a flûte of our favorite bubbly while brushing up on champagne lore.”

(The Tasting Panel)

“With the holidays around the corner, now might be a good time to brush up on your Champagne facts. Epstein’s book, slim and elegant like a flute of sparkling wine, is brimming with information, from the essential—the evolution of Champagne—to the esoteric.—PalatePress.com

(PalatePress.com)

About the Author

Becky Sue Epstein is a journalist, broadcaster, and consultant in the fields of wine, spirits, food, and travel. She is based in New England.

Most helpful customer reviews

2 of 3 people found the following review helpful.
What a great book to pair with a great champagne in a gift basket!
By Halley Suitt
This is a lovely little book, full of solid historical information, as well as funny, trendy modern details of champagne about and why we love it. I thought I knew a lot about the region, Champagne, and the beverage, champagne, but then I read Ms. Epstein's book and found out how much more there was to know. I plan to buy a few copies of the book, get some baskets and put a book and bottle in each, tie them up with a ribbon and then I'll have handy gifts for the holiday season. Now wait, does Amazon sell champagne?

2 of 3 people found the following review helpful.
Great "Sparkler 101" book with key details - review from AWineStory.com
By Marisa D'vari, DWS
In today's busy world this fact-filled book is just the thing when you are at a wine store searching for the perfect bottle to bring to a party, or more important, the "story" behind the bottle! Or at a restaurant, you can zip past those $300 bottles of fine champagne and find an excellent Spanish or Italian sparkler for under $30. The writer has a fun style that engages the reader and keeps one interest.

2 of 4 people found the following review helpful.
Champagne corks should be popping to toast this title!
By Victoria McKee
It's amazing how much information, anecdote and effervescence is packed into this compact, champagne-coloured, volume by wine and spirits expert Becky Sue Epstein.

Compelling reading that celebrates while also demystifying the mystique of champagne, this is an accessible and entertaining book that should appeal to connoisseurs and beginner bubbly-lovers alike.

Epstein manages to take the guilt out of buying inexpensive sparkling wine by pointing out that champagne is, after all, ONLY a sparkling wine - dignified by its colourful history and careful marketing by the fiercely protective producers in the Champagne region of France.

She made me feel better about what I'd previously seen as settling for a sparkling wine such as a Spanish 'Cava' - or a Californian 'Brut' that I've learned from this book uses the same grapes as champagne. So now if friends seem to look down their noses as my bubbles go up them I can quote chapter and verse to show them that there is no excuse for being a champagne snob. This is an ideal gift book for actual or aspiring lovers of the good life.

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Minggu, 27 Juni 2010

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Principles of Human Physiology, Books a la Carte Edition (6th Edition), by Cindy L. Stanfield

NOTE: This edition features the same content as the traditional text in a convenient, three-hole-punched, loose-leaf version. Books a la Carte also offer a great value—this format costs significantly less than a new textbook. Before purchasing, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a Course ID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products.

 

For courses in Human Physiology

 

Don’t just study—visualize, explore and solve problems in human physiology with Principles of Human Physiology!

Principles of Human Physiology, Sixth Edition uses a precise and clear-cut writing style to offer lasting comprehension for Human Physiology students, extending to real-life application in the field. The Sixth Edition provides essential digital resources to foster critical thinking and problem-solving skills. The exceptional art program is consistent, scientifically accurate, and visually appealing. Stanfield’s renowned flexible pedagogy allows instructors to choose what is essential to students when mapping out their course.

 

MasteringA&P provides a framework for students to practice solving clinical problems, think conceptually, and apply new knowledge. Assigning interactive tutorials and coaching activities in MasteringA&P directs student learning on the toughest topics and provides a comprehensive and engaging learning environment.

 

Also available with MasteringA&P ™

MasteringA&P is an online homework, tutorial, and assessment program designed to work with Principles of Human Physiology to engage students and improve results. Instructors ensure students arrive ready to learn by assigning educationally effective content before class, and encourage critical thinking and retention with in-class resources like Learning Catalytics™. Students can further master concepts after class through traditional and adaptive homework assignments that provide hints and answer-specific feedback. With a wide range of activities available, students can actively learn, understand, and retain even the most difficult concepts.

  • Sales Rank: #729190 in Books
  • Published on: 2016-01-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x 1.00" w x 8.90" l, .0 pounds
  • Binding: Loose Leaf
  • 800 pages

Review

“The explanation and concepts of the topic are well explained, and it is praiseworthy for simple explanation of complex concepts.” 
–  Jaya Shah, Woodland Community College 

“Strengths: well-written, good figures, accurate, good balance between anatomy/molecular detail.” 
– Dr. Geoffrey M. Goellner, Minnesota State University, Mankato 

“Its biggest strength is its clarity.” 
– Ari Berkowitz, University of Oklahoma 

“Best thing in this chapter to me is the description of the heartbeat cycle. It is remarkably clear and interesting reading.”
– Eric Green, Salt Lake Community College (About Chapter 14) 

“I am particularly impressed with the clear and concise “Learning Outcomes” and “Before you begin” sections at the opening of both chapters. I feel that my students would benefit from this guidance.” 
– Patrick Cafferty, Emory University 

About the Author

Cindy Stanfield earned her Ph.D in physiology at the University of California at Davis. She teaches human physiology lecture and laboratory courses and neuroscience at the University of South Alabama (USA), and researches sensory modulation. She received the College of Allied Health Professions Excellence in Service Award in 2003 and the University of South Alabama Excellence in Teaching Awards in 2004. She also serves as the advisor for the health pre-professionals at USA. She is a member of the Society for Neuroscience, the International Association for the Study of Pain, the American Pain Society, and the National Association of Advisors for the Health Professions.

Most helpful customer reviews

0 of 0 people found the following review helpful.
A bit laggy. Not as easy to read as paper
By Amazon Customer
Very laggy. I am unable to scroll down or across a page in many cases when zoomed in. It reloads back to the default position. Need to be zoomed in to read without strain on my laptop.
Using the search tool is convenient, but you can only search a specific word or two, so don't think that you're going to "control f" through the entire book to find answers. Would rather have a paper textbook

0 of 0 people found the following review helpful.
Do not rent!!!
By Jen
Do not waste your money to rent with access code read the fine print not guaranteed to receive access code have to pay additional money to actual book publisher to receive you're better off renting at cheaper price since you still have to pay for your access code

0 of 0 people found the following review helpful.
Like New
By HoolioCZ
Great book for the price. Like new

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Senin, 21 Juni 2010

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  • Published on: 1600
  • Binding: Paperback

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Sabtu, 19 Juni 2010

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In this refreshing reappraisal of the art and architecture of ancient Rome, Eve D'Ambra focuses on the personal, social and cultural identity of its subjects. The acquisition of art, whether the purchase of copies of Greek statuary, the construction of a sumptuous villa or the commissioning of a portrait head, played a crucial role in Roman society in which displays of wealth and culture were necessary to gain and maintain power. The question of identity is key to understanding the nature of the Roman empire, which seemed infinitely expandable at its peak, welcomed foreigners to become Romans, freed slaves to citizen status and allowed social mobility within a strictly hierarchical social order. D'Ambra discusses patronage on different social levels, from that of the emperor and his court to those of shopkeepers and of artisans, in diverse regions of the empire and in distinct ethnic groups. She compares the imagery of the state and of military victory with the humblest funerary reliefs. Many provincial artworks were based on imperial models, but others were created in resistance to prevailing imperial standards. D'Ambra draws on a range of sculpture, wall paintings, decorative arts, coins and architecture, from Italy to the edges of the empire, evoking the traditionalism and the adaptability of Roman art. She also looks ahead to the art and architecture of the fourth century AD, which despite the emergence of Christianity as the dominant religion continued to be influenced by Roman styles and themes. Eve D'Ambra is Associate Professor in the Department of Art at Vassar College, Poughkeepsie, New York. She has taught and published widely in the field of Roman art and society.

  • Sales Rank: #1433922 in Books
  • Brand: Brand: Cambridge University Press
  • Published on: 1998-11-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.96" h x .71" w x 6.97" l,
  • Binding: Paperback
  • 176 pages
Features
  • Used Book in Good Condition

From Library Journal
D'Ambra goes beyond basic stylistic analyses to use Roman art in the study of Roman identity. In each monument, sculpture, garden, or painting, he finds clues about the patron or subject of the work. Well-known monuments and those less well known provide clues to their subjects' position in Rome and to their personal lives within their families. Symbolizing both culture and power, art was important in all levels of Roman society, and D'Ambra looks at art patronage from the emperor to the middle class in all areas of the empire, in Italy and abroad. Recommended for both academic and larger public library art collections. --Mary Morgan Smith, Northland P.L., Pittsburgh
Copyright 1999 Reed Business Information, Inc.

Review
"D'Ambra goes beyond basic stylistic analyses to use Roman art in the study of Roman identity....Recommended for both academic and larger public library art collections." Library Journal

"Ambra offers readers an insightful look at the artistic side of a culture better known for its political and militaristic styles." Jason Zappe, Copley News Service

Most helpful customer reviews

1 of 2 people found the following review helpful.
good
By VB
Hod to have this book for my Roman Art History class and it's actually a nice text book. Written nice and engaging, which is rare compared to most college text books that make you want to fall asleep.

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